Builder: Holtkamp Organ Co., Op. 1687, 1956. Additional work
by Holtkamp in 2004. Manuals: 3 Ranks: 35 (40+ following 2004 work) Action: Electro-pneumatic Notes: Information from Christopher Holtkamp. The organ includes 14 ranks of pipes from a previous 1915 Kilgen organ in this buildling. Additional information from Carl Staplin and the Organ Historical Society. Organ Historical Society as of 2014. GREAT ORGAN 16 Quintadena 8 Principal 8 Gedackt 4 Octave 4 Spitzflöte 2 Doublette Mixture IV Scharf III 16 Dulzian 8 Trumpet SWELL ORGAN 8 Voix Celeste 8 Rohrflöte 8 Salicional 8 Flauto Dolce 4 Gemshorn 4 Harmonic Flute 2 Fifteenth Plein Jeu IV 16 Bassoon 8 Trompette 8 Oboe Tremolo Sw/Sw (16/4) POSITIV ORGAN 8 Copula 4 Rohrflöte 2.2/3 Nazard 2 Nachthorn 1.3/5 Tierce 1 Sifflöte Fourniture III 8 Cromorne Tremolo PEDAL ORGAN 16 Subbass 16 Quintadena (Gt) 8 Octave 8 Bourdon 4 Choral Bass 16 Posaune 16 Dulzian 8 Trumpet 4 Clarion |
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Des Moines, Iowa First Christian Church (formerly called University Christian Church) Holtkmp Organ, 1956/2004 The Holtkamp was installed in 1956 while Russell Saunders was organist and director of music. To the best of my knowledge it was the first organ installed in Des Moines with exposed pipe work, and it created a sensation. After that there were a number of fine instruments with good placement, but the Holtkamp was the first. Russell Saunders remarked to me what a difference the instrument made to his own development as an organist and teacher. There were 26 stops with several extensions and borrows. The Swell was the smallest division with just 5 stops. The organ was fine for Baroque repertoire and even some later repertoire, but it greatly needed completion of the Swell division. It had only one reed on the Swell which was at 4'. One of the most interesting aspects of the organ is that out of the 26 stops installed in 1956, 14 of them were made from the 1915 Kilgen organ! I thought that it was remarkable the voicers could accomplish this. For example the 2' on the Holtkamp Swell was originally an 8' Dulciana, and the Cornet on the Holtkamp Positiv came from a Dolce Cornet mixture on the 1915 Kilgen. I know all this to be true, because I have the original 1956 worksheet from the shop, which gives the source for each stop. Then more recently last year we made the 4' Oboe into a full length 8' Oboe, and we also added the following new pipe work: 8' Flauto Dolce, 4' Chimney Flute, a wonderful IV mixture, a 16' Basson, an 8' Celeste and a large 8' French Trompette which contrasts nicely with the Germanic Trumpet on the Great. We also added tremolos to the Swell and Positive, and a Pos. to Gt. 16' cp. There are also 16' and 4' cps. on the Swell that were in the original 1956 specs. I can't begin to tell you how much more versatile the instrument is, especially for church services and vocal accompaniment. We have a marvelously warm acoustic after a complete redoing of the sanctuary. Robert Mahoney of Boulder, Colorado was a big help. It was good before, but it is even better now. The church is very much in demand for concerts. [Received from Carl Staplin October 26, 2005.] |
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